[1]高强.以“向历史上去找材料”的方式来“淬励人心”—《中央日报》上的三篇吴祖光集外佚文释读[J].常州大学学报(社会科学版),2022,23(05):100-108.
　Gao Qiang.To “Inspire People” by “Looking for Materials in History”: Interpretation of Three Lost Articles Not Included in the Collection of Wu Zuguang in Central Daily[J].Journal of Changzhou University(Social Science Edition),2022,23(05):100-108.
点击复制

以“向历史上去找材料”的方式来“淬励人心”—《中央日报》上的三篇吴祖光集外佚文释读()
分享到：

常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]

卷:
第23卷
期数:
2022年05期
页码:
100-108
栏目:
文史哲研究
出版日期:
2022-09-28

文章信息/Info

Title:
To “Inspire People” by “Looking for Materials in History”: Interpretation of Three Lost Articles Not Included in the Collection of Wu Zuguang in Central Daily
文章编号:
10.3969/j.issn.2095-042X.2022.05.011
作者:
高强
Author(s):
Gao Qiang
关键词:
吴祖光;  集外佚文;  《中央日报》;  历史材料;  《北京人》;  儿童剧
Keywords:
Wu Zuguang;  lost articles not included in the collection;  Central Daily;  historical materials;  Peking Man;  child play
分类号:
I206.6; I207.34
文献标志码:
A
摘要:
《抗战历史剧》《读〈北京人〉——我们是第二代的“北京人”》《我发见了舞台上的孩子——看了〈表〉的演出之后》是吴祖光发表于重庆版《中央日报》的三篇集外佚文。《抗战历史剧》提出了“向历史上去找材料”,以此作为解决戏剧公式化问题的方案。《读〈北京人〉——我们是第二代的“北京人”》以诗意化的笔墨盛赞了曹禺剧作《北京人》所塑造的猿人形象,这一形象被吴祖光视作戏剧家向民族历史上寻找到的“材料”。《我发见了舞台上的孩子——看了〈表〉的演出之后》通过称许董林肯改编的戏剧《表》,对抗战时期儿童剧存在的“成人化”弊端进行了反思,纯真的儿童又被吴祖光当作戏剧家向个体历史上寻找到的“材料”。这三篇文章,从总分角度,宣扬了“向历史上去找材料”的戏剧编演路径,其最终目的,都是期望以“历史材料”编就的戏剧故事来“淬励”战时中国人民的内在精神。
Abstract:
The Historical Drama of the War of Resistance Against Japanese Aggression, Reading PekingMan—We Are the Second Generation of Peking Man, I saw the Children on Stage—After Watching the Performance of The Watch, are three lost articles not included in the collection published by Wu Zuguang in Chongqing edition of Central Daily.The Historical Drama of the War of Resistance Against Japanese Aggression put forward the idea of “looking for materials in history” as a solution to the formulaic problem of drama.Reading Peking Man—We Are theSecond Generation ofPeking Man praises the ape image created by Cao Yu’s play Peking Man with poetic words, which is regarded by Wu Zuguang as the “material” that dramatists have found in national history.I saw the Children onStage—AfterWatching thePerformance of The Watch reflects on the drawbacks of “adultification” of child play during the War of Resistance Against Japanese Aggression by praising the play The Watch adapted by Dong Linken, and Wu Zuguang regards innocent children as “materials” that dramatists have found in individual history.These three articles, from the perspective of summarization and classification, publicize the path of drama adaption and performance of “looking for materials in history”, and the ultimate goal is to “inspire” the inner spirit of the Chinese in wartime with drama stories adapted from “historical materials”.

参考文献/References:

[1]郑振铎.郑振铎全集:第三卷[M].石家庄:花山文艺出版社,1998:120.
[2]陈永倞.戏剧入伍[N].中央日报·戏剧周刊,1938-10-28(4).
[3]郭沫若.新文艺的使命[J].半月文萃,1943,2(1):34-37.
[4]钱理群,温儒敏,吴福辉.中国现代文学三十年 [M].修订本.北京:北京大学出版社,1998:419-420.
[5]田本相.曹禺传[M].北京:东方出版社,2009.
[6]曹禺.曹禺选集[M].北京:人民文学出版社,1978:426.
[7]柳亚子.《北京人》礼赞[N].新华日报,1941-12-03(2).
[8]荃麟.《北京人》与《布雷曹夫》[J].青年文艺,1942,1(2):30-37.
[9]郭沫若.儿童文学之管见[J].民铎杂志,1921,2(4):1-9.
[10]胡红兵.儿童剧编剧理论与实战技巧[M].北京:中国戏剧出版社,2019:10.
[11]张早.抗战中的儿童戏剧[J].戏剧春秋,1940,1(1):59-61.
[12]贺仲明.我们为什么关注文学生活?:文学生活研究的意义、方法与启示[J].常州大学学报(社会科学版),2016,17(1):1-7.
[13]王琳.江苏抗战民歌探析[J].常州大学学报(社会科学版),2021,22(5):107-116.
[14]张武军.《中央日报》、《新华日报》副刊与抗战文学的发生[J].首都师范大学学报(社会科学版),2015(3):94-102.

备注/Memo

备注/Memo:
作者简介:高强,文学博士,西南交通大学人文学院讲师。
基金项目:国家社会科学基金重点项目“半殖民与解殖民的中国现代文学研究”(20BZW138); 西南交通大学科研启动费专项项目“战时中国的节庆纪念与文学书写研究”(A1420502052201-74)。
更新日期/Last Update: 1900-01-01