[1]付用现.从“探求者”到《摆渡》 ——对高晓声文学启蒙与反思的再评价[J].常州大学学报(社会科学版),2015,16(03):86-91.[doi:10.3969/j.issn.2095-042X.2015.03.018]
 FU Yong-xian.From “the Seeker ” to Ferry  —Revaluing Gao Xiaosheng's Literary Enlightenment and Reflection[J].Journal of Changzhou University(Social Science Edition),2015,16(03):86-91.[doi:10.3969/j.issn.2095-042X.2015.03.018]
点击复制

从“探求者”到《摆渡》 ——对高晓声文学启蒙与反思的再评价()
分享到:

常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]

卷:
第16卷
期数:
2015年03期
页码:
86-91
栏目:
出版日期:
2015-05-25

文章信息/Info

Title:
From “the Seeker ” to Ferry  —Revaluing Gao Xiaosheng's Literary Enlightenment and Reflection
作者:
付用现12
1.常州大学 周有光语言文化学院, 江苏 常州 213016;2.南京师范大学 文学院, 江苏 南京 210097
Author(s):
FU Yong-xian12
1.College of Language and Culture of Zhou Youguang, Changzhou University,Changzhou 213016, China;2. Liberal Arts College , Nanjing Normal Univerity, Nanjing 210097, China
关键词:
“探求者”《摆渡》 高晓声 启蒙与反思
Keywords:
" The seeker "  Ferry Gao Xiaosheng enlightenment and reflection
分类号:
I206
DOI:
10.3969/j.issn.2095-042X.2015.03.018
文献标志码:
A
摘要:
高晓声是农民作家,更是具有启蒙思想的精英知识分子。他借助文学启蒙民众的起点是在“探求者”文学社酝酿时期,他的小说借科学知识的普及来实现启蒙目的,其时虽显幼稚但启蒙激情却是热烈。到改革开放时期,他以《摆渡》这一寓言式的小说表达了他启蒙与反思的渴望,成为他文学启蒙的理论诠释。经典人物陈奂生的成功塑造实现了作家借 “摆渡”人的灵魂到对岸的目的,完成了启蒙与反思的任务。
Abstract:
Gao Xiaosheng was a peasant writer,and an elite intellectuals with the idea of enlightenment as well. The start piont when he engaged in enlightening people by literature is the brewing time of " the seeker " literary agency. He achieved the purpose of enlightenment by the popularizing scientific knowledge in his novels. Although he was naive , his enlightenment passion was warm. To,Then he expressed his desire of enlightenment and introspection by the allegorical novels ferry,which was published during the period of reform and opening up and becamen the theory annotation of his literary enlightenment. He succeeded in shaping the classic character of Chen Huansheng. And he achieved the goal of the writer's "ferrying" the soul of the people to the opposite side, and completed the task of enlightenment and reflection.

参考文献/References:

[1]丁帆.中国乡土小说史[M].北京:北京大学出版社,2007:248-249.
[2] 时汉人.高晓声与“鲁迅风”[J].文学评论,1984(4):37-46.
[3] 高晓声.曲折的路[M]//高晓声.生活·思考·创作.上海:上海文艺出版社,1986.
[4] 高晓声.我的第一篇小说[M]//高晓声.生活·思考·创作.上海:上海文艺出版社,1986:15.
[5] 高晓声.启事[J].雨花,1957(10).
[6] [美]詹姆斯·施密特.启蒙运动与现代性——18世纪与20世纪的对话[M].徐向东,卢华萍,译.上海:上海人民出版社,2005:61.
[7] 高晓声.摆渡[M]//高晓声.生活·思考·创作上海:上海文艺出版社,1986.
[8] 高晓声.解放思想和文学创作[M]//高晓声.创作谈.南京:花城出版社,1981:9.
[9] 康斌.“伤痕—反思”文学中的“迂回”叙事[D].成都:四川大学,2007:44.
[10] 高晓声.纪念鲁迅所想起的[N].文艺报.1996-12-20.
[11] 王干.苦涩的“陈奂生质”——高晓声新论之一[J].小说评论,1988(6):48-51.
[12] 叶兆言.郴江幸自绕郴山[J].作家,2003(2).
[13] 高晓声.关于写农民的小说——在斯坦福大学的讲演[J].当代作家评论,2006(2).
[14] 高晓声.陈奂生上城出国记[M].上海:上海文艺出版社,1991.
[15] 高晓声.中国农村里的事情——在密西根大学的讲演[J].当代作家评论,2006(2):75.
[16] 高晓声.谈谈文学创作——给青年作者小说创作讲习班的讲课[M]//高晓声.创作谈.南京:花城出版社,1981:61.

备注/Memo

备注/Memo:
作者简介:付用现(1968—),男,山东临沭人,博士研究生,讲师,主要从事从事中国现当代文学研究。
更新日期/Last Update: 2015-09-16