[1]周朝伟.日本从军作家火野苇平及其战争文学
———以《麦与士兵》为例[J].常州大学学报(社会科学版),2013,14(02):80-84.[doi:10.3969/j.issn.2095-042X.2013.02.019]
ZHOU Chao wei.The Army Writer Ashihei Hino and His War Literature
———Taking Barley and Soldiers as an Example[J].Journal of Changzhou University(Social Science Edition),2013,14(02):80-84.[doi:10.3969/j.issn.2095-042X.2013.02.019]
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日本从军作家火野苇平及其战争文学
———以《麦与士兵》为例()
常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]
- 卷:
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第14卷
- 期数:
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2013年02期
- 页码:
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80-84
- 栏目:
-
- 出版日期:
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2013-03-25
文章信息/Info
- Title:
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The Army Writer Ashihei Hino and His War Literature
———Taking Barley and Soldiers as an Example
- 作者:
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周朝伟
-
扬州江都区职业教育集团外语系,江苏扬州225000
- Author(s):
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ZHOU Chao - wei
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Foreign Language Department,Jiangdu Profession Vocational Group,Yangzhou 225000,China
-
- 关键词:
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从军作家; 战争文学; 火野苇平; 《麦与士兵》
- Keywords:
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army writer; war literature; Ashihei Hino; Barley and Soldiers
- 分类号:
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I3074
- DOI:
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10.3969/j.issn.2095-042X.2013.02.019
- 文献标志码:
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A
- 摘要:
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日本近代战争文学的出现与繁荣与日本法西斯的对外侵略有着很大的关联。它们大多数与对外侵略的步调一致,在很
大程度上扮演了战争“宣传”的角色,起到了思想“鼓动”的作用。由日本作家火野苇平所创作的以徐州会战为背景的《麦
与士兵》就是在日本全面发动侵华战争期间所诞生的,它的出现带动了日本战争文学创作的又一次高潮。具体分析火野早期的
思想状况,我们就会发现其本身就存在着缺陷,而其从军经历又将其战争观定格在“自我”的框架中,对其后期创作产生了潜
移默化的影响。火野在创作体验时的特殊二重身份,决定了作品的整体基调,造成
- Abstract:
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The emergence and prosperity of the modern Japanese war literature is largely associated with the aggression
of the Japanese fascists. Most of the literature works kept steps with aggression and to a great extent played
the role of war propaganda and ideological instigation. Written by Japanese writer Ashihei Hino and based on the
Battle of Xuzhou,Barley and Soldiers was composed during the full - scale war of aggression launched by Japan against
China. Its emergence led to the upsurge of Japanese war literary once again. Through specific analysis of Hino’s
mind in his early state,it could be found out that he himself has flaws,and his military experience turns his
outlook on war to the freeze - framework of“self”,which has a subtle influence on his late creation. The special
dual identities of Hino in creating experience determine the overall tone of his works and cause the“one - way”and
“narrow”characteristics of his works in the choice of perspective.
参考文献/References:
[1] 火野苇平. 年谱: 火野苇平选集·第八卷[M] / /池田浩士.
火野苇平论“海外进出文学“论. 东京: impact 出版会,
2000: 442.
[2][日] 铃木敬司. 《麦与士兵》论―作为战争文学的位置[J].
日本文学志要,1966 ( 11) : 78 - 84.
[3][日] 花田俊典. 新资料火野苇平的书信[J]. 国文学·解
释与教材研究,2000 ( 11) : 24 - 33.
[4][日] 西冈香织. 报道战线所见「日中战争」———陆军报道部
长马渊逸雄的足迹[M] . 东京: 芙蓉书房,1999: 140.
[5][日] 伊豆利彦. 战争文学的动向[M] / /日本文学研究资料
丛书. 昭和文学. 东京: 有精堂,1986: 169.
[6] 池田浩士. 火野苇平论“海外进出文学“论[M]. 东京: impact
出版会,2000: 531.
[7] 秦桑. 执着的探索者———访日本作家野间宏[J] / /崔新京.
文本解读: 野间宏的《脸上的红月亮》. 日本学刊,2001
( 6) : 114 - 115.
[8] 潘世圣. 火野苇平及其《麦与士兵》的历史考察———近代日
本“战争文学“基础研究[J]. 浙江学刊,2007 ( 1) : 80.
[9] 叶谓渠. 日本小说史[M]. 北京: 北京大学出版社,2009:
379.
备注/Memo
- 备注/Memo:
-
作者简介: 周朝伟( 1987—) ,男,江苏宿迁人,硕士,助教,主要从事日本近代文学研究。
更新日期/Last Update:
2013-03-25