[1]徐俊东.刍议王履《华山图序》中的美学思想[J].常州大学学报(社会科学版),2012,13(04):77-79.
　XU Jun dong.A Discussion on the Aesthetic Ideas in WANG Lv＇s Preface to Picture of Huashan Mountain[J].Journal of Changzhou University(Social Science Edition),2012,13(04):77-79.
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刍议王履《华山图序》中的美学思想()
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常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]

卷:
第13卷
期数:
2012年04期
页码:
77-79
栏目:
出版日期:
2012-12-25

文章信息/Info

Title:
A Discussion on the Aesthetic Ideas in WANG Lv＇s Preface to Picture of Huashan Mountain
作者:
徐俊东
德化陶瓷职业技术学院，福建德化362500
Author(s):
XU Jun － dong
Dehua Porcelain Vocational and Technical College，Dehua 362500，China
关键词:
王履;  《华山图序》;  意象;  艺术形象;  审美感受;  美学思想
Keywords:
WANG Lv;  Preface to Picture of Huashan Mountain;  image;  artistic image;  aesthetic feelings;  aesthetic ideas
分类号:
J120. 9
文献标志码:
A
摘要:
王履的《华山图序》是一篇构思精巧的美学文献，该文精练透彻的论证了许多有关绘画艺术创作的独特见解和经验总 结，具有重要的学术理论价值，它在中国美学史上占有重要的地位。在《华山图序》中王履精辟地指出，自然界的客体各具千 变万化个性，绘画的“法”要与审美客体的特殊个性相适应，就不能不加以变化和“去故而就新”。即抒发自己的情意，不步 入前人的后尘。“就新”一说，不仅深切地抒发了画家主体的审美情怀，而且给观者了一个崭新的艺术形象，从而达到“意溢 于形”的创作目的。王履在《华山图序》反复强调“法在华山”，“法”就是大
Abstract:
WANG Lv’Preface to Picture of Huashan Mountain is an aesthetic literary work of ingenious design． The work thoroughly demonstrates the unique insights and summaries of experience of the art of painting，which has important academic value and holds a significant position in the Chinese history of aesthetics． In Preface to Picture of Huashan Mountain，WANG Lv pointed out that the objects in the nature have different changing personalities． The“law”of painting should be in accordance with the individuality of the aesthetic objects． The law can be changed and get rid of the old to adapt to the new，which means to express the painter’s feelings and emotions， instead of following the predecessor’s footsteps． The idea of“New”not only deeply expresses the painter’s aesthetic feelings，but also presents the viewers a new artistic image，so as to achieve the creative aim of“meaning transcends form”． In Preface to Picture of Huashan Mountain，WANG Lv emphasized repeatedly that“the law lies in Huashan”． “Law”means the nature． Nature is the inexhaustible source of art creation． Painters must learn from nature，enrich their inner hearts，together with the perception． Only then can they create good works． This realistic creating method is summarized by WANG Lv as“I follow my heart，my heart follows my eyes and my eyes follow Huashan”． This simple proposition contains rich aesthetic implication and profound connotation．

参考文献/References:

[1] 陈传席. 中国绘画美学史［M］ . 北京: 人民美术出版社， 2003: 344.
[2］ 贺西林，赵力. 中国美术史简编［M］ . 北京: 高等教育出 版社，2003: 248.
[3］ 叶朗. 中国美学史大纲［M］ . 上海: 上海人民出版社， 1985: 323.
[4］ 姚婷. 山水诗与山水画差异论［J］ . 常州工学院学报: 社 会科学版，2011 ( 6) : 53 － 56.
[5］ 彭吉象. 艺术学概论［M］ . 北京: 高等教育出版社，2003: 276.

备注/Memo

备注/Memo:
作者简介: 徐俊东( 1957—) ，男，黑龙江哈尔滨人，副教授，主要从事艺术教育理论及美术史论研究。
更新日期/Last Update: 2012-12-25