[1]朱毫.试析“以意逆志”说和接受美学中接受论的异同[J].常州大学学报(社会科学版),2012,13(03):10-13.
　ZHU Hao.An Analysis of the Similarities and Differences between Theory of Reader＇s Interpretation against Writer＇s and Accepted Theory of Accepted Aesthetics[J].Journal of Changzhou University(Social Science Edition),2012,13(03):10-13.
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试析“以意逆志”说和接受美学中接受论的异同()
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常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]

卷:
第13卷
期数:
2012年03期
页码:
10-13
栏目:
哲学研究
出版日期:
2012-03-01

文章信息/Info

Title:
An Analysis of the Similarities and Differences between Theory of Reader＇s Interpretation against Writer＇s and Accepted Theory of Accepted Aesthetics
作者:
朱毫
西南民族大学文学院，四川成都610041
Author(s):
ZHU Hao
School of Literature，Southwest University for Nationalities，Chengdu 610041，China
关键词:
孟子;  以意逆志;  接受美学;  接受理论
Keywords:
Mencius;  theory of reader’s interpretation against writer’s;  accepted aesthetics;  accepted theory
分类号:
B83 － 06
文献标志码:
A
摘要:
孟子“以意逆志”说作为我国古代一种文学鉴赏和批评方法对后世的接受理论产生了深远影响，它与20 世纪西方文 论中发轫于联邦德国的接受美学有很大的相通之处。但二者诞生于不同的文化土壤，其中的差异也很明显。从二者对作者、作 品和读者三要素间关系的不同理解可以看出，“以意逆志”说要求读者充分发挥自己的主观能动性，肯定了读者参与文本创造 的权利和重视审美理解的主体性; 接受美学认为读者对作品的接收理解构成了作品的存在，强调作品的意义不仅总是随着历史 的变迁而发生变化，且被新的阅读经验赋予了新的不同意义之后才成为现实
Abstract:
Theory of Reader’s Interpretation against Writer’s of Mencius as a way of literary appreciation and criticism in ancient China has produced profound influence on later accepted theory． There are a lot of similarities with the accepted aesthetics of Western literary theory in the twentieth century in Federal Republic of Germany ． But the two were born in different cultural backgrounds． The differences are obvious． From the two theories’different understandings of the relationship among authors，works and readers in literary activities，we can see that Theory of Reader’s Interpretation against Writer’s of Mencius advocates reader＇s subjective initiatives，． affirms reader＇ s right to participate into the crreation of text and their subjectivity in aesthetic understanding，while accepted aesthetics insists that reader＇s accepted understaning of work lead to the existence of work． It also emphasises that the meaning of work not only changes over time，but mean differently for new readers，only in this way，can it become a realistic work

参考文献/References:

[1] ［美］ 刘若愚． 中国文学理论［M］． 杜国清，译. 南京: 江 苏教育出版社，2005: 13.
[2］ 赵歧注，孙爽疏． 孟子注疏［M］． 北京: 北京大学出版社， 1999: 252.
[3］ 曹顺庆． 中外比较文论史: 上古时期［M］． 济南: 山东教育 出版社，1998: 557.
[4］ 李泽厚，刘纲纪． 中国美学史: 第一卷［M］． 北京: 中国社 会科学出版社，1984: 194 .
[5］ 邓新华． “以意逆志”论———中国传统文学释义方式的现代审 视［J］． 北京大学学报: 哲学社会科学版，2002: 109.
[6］ 张首映． 西方二十世纪文论史［M］． 北京: 北京大学出版 社，1999: 270.

相似文献/References:

[1]程继红.“生于忧患而死于安乐”——论孟子的忧患意识[J].常州大学学报(社会科学版),2006,7(03):4.
　CHENG Ji- hong.Living in the Consciousness of Suf fering, Dying at Ease—ON Mencius' Consciousness of Suf fering[J].Journal of Changzhou University(Social Science Edition),2006,7(03):4.

备注/Memo

备注/Memo:
作者简介: 朱毫( 1987—) ，女，彝族，云南宣威人，硕士研究生，主要从事比较文学与世界文学研究。
更新日期/Last Update: 2012-09-25