[1]刘廷乾.明四大奇书中的“主弱从强”与小说主旨解释[J].常州大学学报(社会科学版),2017,18(05):101-109.[doi:10.3969/j.issn.2095-042X.2017.05.013]
 Liu Tingqian.“The Weak Principal and the Strong Subordinate” in the Four Masterpieces in the Ming Dynasty and an Interpretation of Novel Themes[J].Journal of Changzhou University(Social Science Edition),2017,18(05):101-109.[doi:10.3969/j.issn.2095-042X.2017.05.013]
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明四大奇书中的“主弱从强”与小说主旨解释()
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常州大学学报(社会科学版)[ISSN:2095-042X/CN:32-1821/C]

卷:
第18卷
期数:
2017年05期
页码:
101-109
栏目:
文史研究
出版日期:
2017-10-20

文章信息/Info

Title:
“The Weak Principal and the Strong Subordinate” in the Four Masterpieces in the Ming Dynasty and an Interpretation of Novel Themes
作者:
刘廷乾
Author(s):
Liu Tingqian
关键词:
四大奇书 主弱从强 主旨
Keywords:
the four masterpieces the weak principal and the strong subordinate theme
分类号:
I207.41
DOI:
10.3969/j.issn.2095-042X.2017.05.013
文献标志码:
A
摘要:
明四大奇书皆呈现出“主弱从强”模式,该模式不只体现于小说艺术、小说审美层面,它实际关联着小说的创作主旨。小说主旨寄寓在“主”之“弱”的深层内蕴中,因而“主弱从强”模式既对小说主旨有一定的遮蔽作用,又有统摄作用; 既解释着小说的主旨,又体现出主旨的深度。
Abstract:
The four masterpieces in the Ming Dynasty all demonstrate a model of “the weak principal and the strong subordinate”, which is not only embodied in the artistic and aesthetic level of the novel, but also related to the creative theme of the novel. Novel themes reside in the deep implications of the “weakness” on the part of the “principal”. Therefore, such a model has both hiding and guiding effects on the theme of the novel, which not only interprets the theme of the novel, but also reflects its depth.

参考文献/References:

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备注/Memo

备注/Memo:
作者简介:刘廷乾,文学博士,南京审计大学文学院副教授。
更新日期/Last Update: 2017-10-20